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Romantic Music
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Classical
Haydn's Symphony No. 88 (1787), 1st movement.
An example of Classical era melody. The first theme starts at 2:05.
Beethoven's Symphony No. 5 (1808), 1st movement
The Classical era theme gets dark and dramatic.
Romantic: Extreme Emotional States
The love theme from Tchaikovsky's Fantasy Overture to Romeo and Juliet (1869)
A lush, expressive Romantic theme that climbs to a climax.
Frederic Chopin's E minor Prelude for piano (1839)
Another beautifully expressive Romantic melody.
Robert Schumann's "Traumeri" (Dreaming) for piano (1838)
Another gorgeous Romantic tune.
Romantic: Nationalism
Frederic Chopin's Polonaise in A Major, for piano (1838)
A polonaise is a Polish dance.
Franz Liszt's Hungarian Rhapsody No. 2, for piano (1851)
Features folk-like tunes derived from gypsy (Romani) music.
Nicolai Rimsky-Korsakov's Russian Easter Overture (1888)
Tells the story of a Russian Easter Day from dawn to dusk. The themes are based on Orthodox chants.
Romantic: Nature
Felix Mendelssohn's, Symphony No. 4 (1833), 1st movement
Sunny Italy.
Gustav Mahler's Symphony No. 3 (1896), 1st movement
The Austrian Alps.
Beethoven's Symphony No. 6 (1808), 4th movement
A storm.
Edvard Grieg's Peer Gynt Suite No. 1 (1876)
Music written for the play of the same name by Henrik Ibsen. The beginning of the suite represents morning.
Romantic: Macabre, Gothic, and Supernatural
Hector Berlioz's "Dream of a Witch's Sabbath," the 5th movement of Symphonie Fantastique (1830)
The Romantic interest in the literary, gothic, strange, and experimental.
The main theme of Berlioz's Symphonie Fantastique, a musical symbol of the Beloved
This theme gets transformed in the Dream of a Witch's Sabbath
Franz Liszt's Totentanz (1849), "The Dance of the Dead"
Based on a Medieval Gregorian chant, more music to titillate and terrify.
Franz Schubert's "Der Erlkonig" (The Elf King) (1815)
A song setting of a poem by Goethe about a child assaulted by a supernatural being. Here is a translation of
the lyrics
.
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Classical
Haydn's Symphony No. 88 (1787), 1st movement.An example of Classical era melody. The first theme starts at 2:05.
Beethoven's Symphony No. 5 (1808), 1st movement
The Classical era theme gets dark and dramatic.
Romantic: Extreme Emotional States
The love theme from Tchaikovsky's Fantasy Overture to Romeo and Juliet (1869)A lush, expressive Romantic theme that climbs to a climax.
Frederic Chopin's E minor Prelude for piano (1839)
Another beautifully expressive Romantic melody.
Robert Schumann's "Traumeri" (Dreaming) for piano (1838)
Another gorgeous Romantic tune.
Romantic: Nationalism
Frederic Chopin's Polonaise in A Major, for piano (1838)A polonaise is a Polish dance.
Franz Liszt's Hungarian Rhapsody No. 2, for piano (1851)
Features folk-like tunes derived from gypsy (Romani) music.
Nicolai Rimsky-Korsakov's Russian Easter Overture (1888)
Tells the story of a Russian Easter Day from dawn to dusk. The themes are based on Orthodox chants.
Romantic: Nature
Felix Mendelssohn's, Symphony No. 4 (1833), 1st movement
Sunny Italy.
Gustav Mahler's Symphony No. 3 (1896), 1st movement
The Austrian Alps.
Beethoven's Symphony No. 6 (1808), 4th movement
A storm.
Edvard Grieg's Peer Gynt Suite No. 1 (1876)
Music written for the play of the same name by Henrik Ibsen. The beginning of the suite represents morning.
Romantic: Macabre, Gothic, and Supernatural
Hector Berlioz's "Dream of a Witch's Sabbath," the 5th movement of Symphonie Fantastique (1830)The Romantic interest in the literary, gothic, strange, and experimental.
The main theme of Berlioz's Symphonie Fantastique, a musical symbol of the Beloved
This theme gets transformed in the Dream of a Witch's Sabbath
Franz Liszt's Totentanz (1849), "The Dance of the Dead"
Based on a Medieval Gregorian chant, more music to titillate and terrify.
Franz Schubert's "Der Erlkonig" (The Elf King) (1815)
A song setting of a poem by Goethe about a child assaulted by a supernatural being. Here is a translation of the lyrics.